polluteme
polluted ezine
 May Issue
Polluteme Home | Check Email  


POLLUTEME/POLLUTED EZINE/Hangin with Apathy
Hangin with Apathy
written by: Jacob Robison


I hooked up with one of Apathy's guitarists, Richard Smith, through a website that offers free downloadable music by undiscovered bands called mp3.corn. I performed a search on artists from Kentucky and their name was on the list. Apathy sounded interesting, so I downloaded their song "4.19" and gave it a listen. Even though the quality of the recording wasn't the best, they still sounded tight. Anyway, to make a long story short, we got in contact with each other and decided to get together for an interview.

Now here's the bitch part: it took two weeks of emails to get it to where everyone involved had the same time off from work. While they I weren't working for the man, they were busy recording their first CD. Finally, fate shines as; Richard emails me and tells me that they will be playing a show on one of my days off, so I made plans to travel to Metropolis to check them out live. The day before the show was supposed to happen, Richard emails me back and tells me that some crazy shit happened with the planning of the show and that they weren't going to play. Bummer. But he gave me his number and told me to call him and we would set up the interview.

When I called, he told me that they were going to be practicing that night. When asked if they would mind me sitting in, Richard replied, "Hell no!" What follows is my account of the time that I spent in the state of uncaring.

5:30 PJB.: Left Cadiz driving west on U.S. 68/80. The rain is relentless on its' assault on my windshield. After almost eating the first bridge going over Lake Barkley due to hydroplaning, I contemplate pulling over more than once. A few miles later and the rain lets up, and I continue towards Mayfield.

6:30 p.m.: After arriving in Mayfield, I realize that I have absolutely no idea where Wal-Mart is (I am supposed to meet Richard there at 7:00). So I do what most intelligent people do, I ask for directions. After being set on the right path, I find Wal-Mart without a hitch. My assistant manager lent me her camera, so I go inside to get some film. Thought about buying batteries too but I decide against it.

6:50 p.m.: After loading the black and white film into the camera, I walk back to wait in front of Wal-Mart for some guy that I've never seen before. I consider pulling out my hackey sack and going to town on it when a short dude with his eyebrow pierced approaches and says my name. Introducing himself as Richard, he informs me that we now have to drive to B.F.E., where they practice.

7:15 - 8:05 p.m.: I somehow manage to keep up with Richard through a series of maze-like turns and straight ways. Arriving relatively unscratched at their practice place (the singer's mother's garage), I gather my tools (notebook, pencil, camera, and the last issue of Tribalized) and take a deep breath. This is my first interview of an actual band, and I don't want to @#$% it up.

The first member of the band that I meet other than Richard is Eric Alexander, the drummer. He's in his car listening to a CD. After introductions are made I follow them into the garage where the third member of the band, guitarist Jeremy Turner, is busy stringing his guitar. I wade through the empty Sun Drop cans and musical equipment to a chair and sit down, nervously fingering the camera. Pretty soon Richard and Eric get to work tuning their instruments and I relax a little bit; so far, so good- I give Richard the copy of Tribalized, and he and the others check it out. Richard gives me a copy of their CD, Defective.

Richard informs me that John Blalock, the only member of the band that I haven't met, will be showing up shortly. He also tells me that John has a case of bronchitis, which really sucks being that he is the singer. I turn on the camera and realize that I should've bought batteries when the damn flash ready light on the camera doesn't come on. Jeremy gives John a call and asks him to bring AA batteries with him when he comes.

8:05 p.m.: John shows up with the batteries and his bronchitis. He has his hair pulled back in a ponytail and a hat on. He apologizes for being late and we start the interview. He looks over the magazine and gives his approval. After ten minutes of questions, John picks his bass up and starts tuning. I put my notebook and camera down and prepare to be blown away

8:15 - 8:45 p.m.: They don't disappoint. They begin by working on songs off of their CD, entitled Defective. John's voice shows signs of his ailment, but I'm sitting so close to the speakers mat it doesn't matter. Each of the musicians is perfectly in sync with the others, showing a chemistry that can't be faked. And even though I'm the only member of the audience, they play with an energy that kicks my ass. The first few songs that they play are heavy with a lot of distortion. The only bad that that I can say so far is that their music isn't very diverse. Then again, that's not such a bad thing when you kick as much ass as these guys kick.

8:45 p.m.: First break. The band has already worked up a sweat (the garage doesn't have air conditioning), and we're only thirty minutes into the session. After quenching their thirst, I ask some more questions of the band. Eventually they pick their instruments back up and start jamming again.

9:00 - 9:50 p.m.: They continue to go over the material from their CD. By this time I've taken all of the pictures that I need, so I put the camera away and concentrate on the music. They continue to get heavier and heavier. I continue to be impressed.

9:50 p.m.: Second break. This time we step outside where it is a lot cooler than in the garage. John and I take a 'smoke' break, while the others relax. By this time I've made up my mind that I would buy their CD, even though I got one for free. Jeremy took that as a good sign.

Eric and Jeremy take off after drinks, while the rest of us sit around the garage shooting the @#$%. Not only are they excellent musicians, I find out that they are pretty cool people to hang out with. By the time that they get back with a half-case of Sun Drop, everyone was in the mood for a quick game of hackey sack. We head back outside and attempt to play. Poor lighting and a sloped hill work against the game, but we end up with a good session anyway. One by one everyone goes back inside and picks up their instruments, until only Eric and I remain. I pocket the hack, and follow Eric inside.

10:45 p.m.: Right in the middle of a song Eric's' drum kit starts falling apart. Undaunted, they finish the song without stopping. "We practice until we break something", Richard says with a smile. Eric spends the next ten minutes searching unsuccessfully through the mess in the garage for a replacement piece so that he can fix his drums. After several attempts at playing with the damaged drum kit, practice is called. I have to decline an invitation to drink beer with the band in order to get home and start working on the article.

12:20 a.m.: I arrive back in Cadiz with my ears still ringing from the music. I had a great time on my first ever interview, and I got to listen to some kick ass music. Thanks go out to Apathy for letting me catch a glimpse of their world. I hope we can do it again sometime.

If you were paying attention, you might have read that I took some pictures. However, a sudden case of stupidity came over me and I exposed the whole damn roll on accident. I went to Apathy's website hoping to find some pictures that I could use, but alas... they were all too dark. Oh well. I'll try harder to control my sudden fits of stupidity in the future.


            BACK ISSUES

Free JavaScripts provided
by The JavaScript Source

affiliate programs |  get club listed |  get band listed |  contact info |  privacy statement  

© 1999-2000 Polluteme Entertainment